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Controlled Chaos: Harry Winston's Opus XIsharetweetshareFor a couple of seconds every hour, the dial appears like a mess, however all is done clear. Meet with the Harry Winston Opus XI. Just click here you just read WatchTime writer Martina Richter's in-depth directory of the watch for the July-August issue, as well as a video of the way its ultra-complicated movement works.The circles, spins and flips of carnival rides were what inspired Denis Giguet as part of his style of the Opus XI, unveiled recently together with Harry Winston's Opus series featuring offbeat replica watches conceived by various independent watchmakers. Every hour, within the hour, within the length of A few seconds, the hour display - a process comprised of numerous wheels, pinions, arbors, bearings and tiles - disintegrates into utter chaos after which returns to get for the remainder of the hour.This chaos comes from a "completely normal" watch movement with manual winding, a 48-hour power reserve, and a frequency of 21,600 vph. The movement includes a substantial balance, that's visible inside a cylindrical compartment protruding with the side with the case. The movement was made within the tradition of old pocketwatch movements , and can be seen from the transparent sapphire caseback.The rest of the watch is definitely not normal. The movement's gear train ends up in the minutes indication, that's itself quite unusual. It consists of two rotating disks in a small, cylindrical chamber exactly like the one holding niche. The greater outer disk runs smoothly and continuously to exhibit the single digits, as the smaller, inner disk printed with numerals for that tens advances which has a jumping action.But much more unusual is the hour display, which is the watch's centerpiece both figuratively and literally watches . It wouldn't are already simple to get this to display without recently developed design and manufacturing methods.Even though the hour moves in the heart of the main case, the minutes rotate on two disks in the second cylindrical chamber. The check can be seen in a 3rd chamber.The display is run by its very own barrel. Since the movement's other barrel slowly unwinds, it supplies energy to this particular second barrel. Every hour, the display explodes into motion as being the numeral for the "old" hour disintegrates plus the new hour numeral takes shape down the middle of the dial. Every numeral consists of four tiny tiles, each bearing a segment from the numeral. There are 24 tiles to all. The tiles are disassembled and reassembled through epicycloidal gear trains.An epicycloid describes the path taken by the point (like among the tiles within the hour display, as an example) about the circumference of any circle as that circle arrives the circumference of your second, fixed circle. The rolling point traces curves whose shape is dependent upon the radii of these two circles. The hour display with the Opus XI follows this principle and hails from several epicycloids.The changing on the hour is triggered from the minutes display. Following every hour, a spring falls onto a cam release a the hour-display barrel which includes, at the same time, stored enough capability to set the hour display in motion within a series of wild rotations. They are Two or three seconds, after which it the barrel could have spent its energy. The key movement barrel will immediately start feeding fresh capability to the hour-display barrel so it will likely be ready for hour change. During the intervening An hour, the full system mainly case body remains motionless along with the current hour stays clearly visible in the center of the watch.Four tiles come together to display the hour numeral. The bottom of the photo shows that this tiles are transferred to the midst of the dial by means of a large wheel, satellites, and triangular, elliptical, and bevel wheels.But what exactly takes place when the spring falls to the cam again as well as the second barrel is released to change the hour?A toothed wheel that may be as large since the entire main case of the Opus XI is in experience of the hour-display barrel. You can find four smaller satellite wheels inside large wheel. As soon as the wheel is about moving from the barrel, it drives the 4 smaller inner wheels along its inner teeth. Geared platforms are placed on their vertical arbors, along which three satellite wheels engage good similar principle. 4x three equals 12 (hours). Conical wheels stay on the arbors of such last satellite wheels, which can be had to change direction with the vertical towards the horizontal rotational axes in the arbors with all the hour display tiles. Two tiles are affixed to each arbor, and 12 times two equals 24 tiles. Each tile is printed twice, front and back, so 48 surfaces fit together, four at the same time, to produce the 12 hours.To visualise how a tiles move, consider being in the automobile of any carnival ride, flipping over whilst the car rotates around a typical midpoint in addition to two other cars, and circling about the main rotational axis on the ride being an independent satellite. First got it? After no more than three rounds it's easy to lose your orientation. Fortunately, the individual tiles from the Opus XI always specifically where to search next.Finally, triangular gears are built to manage the complicated turning maneuvers, along which elliptical wheels communicate with the bevel gear satellites. The pairs of tiles attached with each satellite form the 12 hours. Because of this after a day the whole mechanism returns for their original position. Red carpet hours precisely the same tiles have been around in the centre of the dial and form an hour or so number. However, the tiles will be turned 180 degrees. In the same manner, the whole product is shifted by 180 degrees. By way of example: the most notable left tile in the "11" (see photo) may become the low right tile from the "5" after six hours - that may be, its an opposing side, which after another six hours will again are the top left tile of the "11." On this period the satellite should have moved 4x across the triangular gear as well as arbor will have turned 30 times together with the tile. (To find out videos of the Opus XI in motion, click below.)The bigger wheel, which is driven with the barrel, carries on advance 90 degrees during an hour transition, so that you can return to the same place after 4 hours. Its four satellite wheels is likewise inside the same position after four hours, yet not its subs satellites using their tiles. They may move 120 degrees during each transition, making one revolution round the triangular gear after a three-hour period. However, they just do not come back to a similar configuration these were in three hours earlier. The tiles have reached a different location pertaining to one another. In pairs, they alternately complete a couple of half turns when they change position. The triangular gear and the elliptical gears are made so they can vary these transmission ratios. This allows the tiles to pass through by one other without colliding and to reappear in the center with the correct time. After three hours, a similar satellite will again maintain the center but show overturn side on the tile. With respect to the tile, it provides turned 7 or 8 times, 15 times in 6 hours, or 60 times every day.The incredible calculation and design work behind the hour-changing mechanism of the Opus XI only agreed to be granted with applications that weren't even created couple of years ago. Today these programs can calculate, analyze, draw and optimize your tooth type of the triangular and elliptical wheels and the way they mesh. The wheels themselves were created using photolithography - an operation where tiny components might be manufactured that has a precision that can't be achieved with conventional manufacturing methods. The conical pinions with the bevel gears, for instance, are simply just 1.2 mm wide. Their shape, angles and teeth are perfectly accurate because of this new manufacturing technology. The contour and path of each tile seemed to be calculated using computer technology in order to minimize space needed for the switching action. The truth and sapphire crystal, which themselves are a result of complicated production processes, provide a broad view of the spectacular hourly movements. Get ready to enjoy the exhilaration of a wild carnival ride - while using Opus XI it takes place once every hour.As you may guess, Denis Giguet isn't newcomer to avant-garde horology. Trained just as one engineer, he served as head of production for Harry Winston. In 2007 he launched his or her own brand, Manufacture Contemporaine du Temps (MCT), and designed its flagship watch, the Sequential One - when the hour numerals are each made up of five prism-like segments, arranged like slats inside a Venetian blind,  which flip to form a new numeral when needed. Twenty technical specialists dealt with Giguet to produce the Sequential One. They included Eric Giroud and Jean-Francois Mojon, who collaborated with Harry Winston on, respectively, Opus  IX and X.Denis Giguet, the brains behind Opus XISPECS:Manufacturer: Harry Winston SA, 8, Ch. du Tourbillon, CH 1228, rolex 1016 Plan-les-Ouates, SwitzerlandReference number: 500/MMDGWLFunctions: omega replica paypal Hours on 24 tiles, digital minutes on two rotating disksMovement: Hand-wound Opus XI, produced since 2011, 21,600 vph (3 Hz), 566 components, 155 jewels, 48-hour power reserveCase: White gold or platinum, three overlapping cylinders, sapphire crystals, water-resistant to 30 metersStrap: Alligator leatherDimensions:  Diameter = 45 mmVariation: With diamondsPrice: $254,700sharetweetshare